Tag Archives: film

Seeking the Thrill: My Top 3 Horror Movies to Watch This Halloween Season

By Jessica Lee

“Trick-or-treat!” 

A subtle suggestion that demands a treat – preferably candy – or else a trick will fall upon that individual. A simple, iconic phrase that is said that one special time of the year. Halloween. It’s almost that time of the year where people dress up in diverse costumes, devour candy, and watch scary movies. However, how do you know which movie is truly the most terrifying: the clown that lives in the sewers or the boy who is possessed by an unknown demon?

As fanatic of the horror and thriller movie genres, I have composed an updated top three scariest 2022 movies for you, friends, or family to get spooked beyond the mainstream titles that you’ve probably already heard of. 

Photo by David Menidrey on Unsplash
  • Smile (2022)

Released on September 29, 2022, with a current IMDb rating of 6.8, this film will take you on a journey of frightening jump scares and emotions contradictory to its innocent title. It revolves around Dr. Rose Cotter, who starts seeing unexplainable yet terrifying images after she witnesses a traumatic incident involving her patient. To face this trauma, she must reopen her past wounds and accept her new fate. This terrifying masterpiece directed and written by Parker Finn is by far the scariest, most unsettling horror/psychological thriller film that keeps your heart racing with thrill and excitement. I highly recommend this for those seeking a film that is cinematically alluring yet also filled with sudden jump-scares, but I would also recommend watching it in theaters or with a great stereo system as this film heavily relies on its sound design to keep you on your toes.

  • Incantation (2022)

Released on March 18, 2022, with a current IMDb rating of 6.2, this film is one of the most horrifying Taiwanese movies of all time. Perhaps it’s the incorporation of shaky, hand-held camera movements and unsettling vlog elements or maybe it’s the eerie incantation that is repeated throughout the film, but it is by far the most unpredictable and psychologically unnerving film I have ever seen. It follows the perspective of Li Ronan, a mother who is cursed after breaking a religious taboo. After being cursed, she must save her daughter from the same fate. Unlike the traditional horror film, Incantation is shot predominantly in found footage (FF), which is a cinematic technique where footage is presented through video recordings or discovered by the characters. By doing so, director Kevin Ko cleverly hides yet slowly reveals varied motifs and details for audiences to ultimately fully digest and reflect upon in their sleep. Furthermore, unlike Smile, this film does not rely on jump scares or sound design to haunt you. Rather, this film has a continued sense of fear beyond the screen. This film is available on Netflix in various languages and subtitles for you to conveniently enjoy at home.

Photo by Ján Jakub Naništa on Unsplash
  • The Black Phone (2022)

Released on June 24, 2022, with a current IMDb rating of 7, this film is based on “The Black Phone” by Joe Hill. While this story is not based on an actual occurrence, the fact that it is inspired from a combination of real serial killers during the late ‘70s is quite disturbing. The premise of this film involves a child killer who abducts and locks children in his soundproof basement. However, Finney Blake – a 13-year-old-boy – receives help from the voices of past victims through a disconnected black phone on the wall, ultimately determined to help him to break free. Director Scott Derrickson presents an emotionally riveting film that includes great character development and acting to the extent that makes you disgusted by such a sadistic, evil, and monstrous being. The Black Phone makes you wonder why such cruel beings exist and makes you empathize with the young victims. While this film follows more of a traditional horror film concept, it contains a solid premise around a black phone that is intense and creepy. I strongly recommend this film for those who enjoy performative and emotionally intense horror films.

2022 has been a solid year in the genres of thriller and horror with other honorable mentions such as Nope (2022) by Jordan Peele and Bodies Bodies Bodies (2022) by Halina Reijn. While this list is subjective to my personal tastes and limited to the year of 2022, I strongly recommend these three films for those who seek a terrifying and heart-racing thrill in celebration of Halloween.

Featured Image by Felipe Bustillo on Unsplash

Jessica is a third-year student pursuing a double major in Cinema and Media Studies and Public Policy. As an aspiring filmmaker, writer, music producer, and director, she has been exploring her passion for the entertainment industry as a producer’s assistant for Palette Pictures and a member of Delta Kappa Alpha’s Professional Cinema Fraternity. At USC, she is the President of Taekwondo Club and Vice President of Public Relations of Trojan Steel. In her free time, she enjoys experimenting with sound design, filmmaking, playing the piano, drinking boba, writing, listening to music, and playing tennis.

Depicting Race Without Racism: The Disconnect Between My Home Country and Disney’s “Encanto”

By Glenda Palacios Quejada

Edited by Natalie Grace Sipula

[5 minute read]

As a Black woman from Colombia who recently moved to the United States, I was excited when I first heard that Disney would be releasing Encanto, a movie taking place in Colombia. Studying in the U.S., so far from of my country and my language has produced a strong sense of loneliness in me, not only because I cannot frequent the usual places and people I am accustomed to, but also because I feel that I am losing my voice and identity as I try to become immersed in a white-English predominant place. So, to me, Encanto seemed to be the perfect way to reconnect with my country, and to remind myself of home even if just through a screen. Additionally, this movie gave me the opportunity to share this experience with other Latinx students, as I went to the movie theater with a group of women who I have befriended in graduate school.

Photo by Krists Luhaers on Unsplash

The film began by introducing the hostile imagery of a Colombian family who became victim of armed conflict. Through this you could see the painful representations that are repeated throughout Colombian political history, such as images of women with children in their arms who see their spouses killed as a consequence of the war, or images of entire families who carry their most valuable belongings on their shoulders as they walk the long journey from their home territory to a safe place. Right away, I was impressed that Disney chose to confront this subject matter in a direct way.

Only ten minutes had elapsed before the film began to confuse different geographical, cultural, and historical aspects of Colombian tradition. Among the mountains with coffee plants, tall and leafy palm trees loomed which normally would not be found in these mountainous regions. At community festivals, in a place that seemed to be located in the Andean part of the country, Salsa music prevailed instead of carranga and guasca[1] music; and in exchange for the guitar, a White man played the marimba[2]. The rural people of the Andean zone, instead of wearing a ruanacarriel, and machete, wore summer clothes and sombrero vueltiao. The most shocking inaccuracy was the multiculturalism that the film tried to portray. There was a harmonious multicultural coexistence among the characters in the movie that erased the systemic racial violence that Black people who grew up in the Colombian Andean region, a white-predominant place, are used to. Consequently, I felt frustrated that Disney tried to portray a world with race without racism; it misrepresented and erased tangible and visible racial tensions that constantly subjected Black people to traumatic and painful experiences. Particularly, that magical world denied and hid more than 200 years of slavery and its permanent effects on the modern Colombian society.

Photo by Niels van Altena on Unsplash

The film had three opportunities to accurately represent situations related to racism in the mountainous areas of Colombia, especially with their three main characters–Matrona Madrigal, Maribel, and Bruno. Firstly, it described the dysfunction that the Madrigal family experienced as the female head of household was deemed as an authoritarian presence. She reminded me of the paisa women I used to see every morning on my way to school. They gathered in the main park drinking coffee after leaving church to lament and criticize the students who got pregnant, the wives who separated from their “brilliant husbands”, or those women who were seen participating in “immoral” sexual acts. Matrona Madrigal also reminded me of those paisa grandmothers who reject their darkest skin grandchildren. These women silence them, deny them gifts, and subject them to accusations and punishments in front of their lighter skin cousins ​​or siblings. Right there, the film had the possibility of enunciating how in white-rural contexts, girls with magic like Mirabel lose their strength due to the internalization of racism and their darker skin tones. This rhetoric makes children like Mirabel believe negative stories about their body, hair, color, and ancestry. Secondly, the film could problematize the role of the uncle who lived hidden. He reminded me of the homosexual rural men who are expelled from their homes because they do not follow the heteronormative and imposed ways of feeling for and loving others. The men like Mirabel’s uncle, despite being excluded, stay in these spaces because the paisa culture, religion and customs comprise a fundamental part of their lives that they are not willing to give up. Thirdly, in the representation of magic, the movie did not highlight how Black and Indigenous communities are stereotyped as witches, sorcerers, and children of the devil in these Andean geographies. The movie had no conflicts with these racist ways of classifying spiritual and ancient ways that are not seen as the norm. 

I left the film feeling extremely uncomfortable because I realized that this successful film inaccurately decontextualized race to play into the politically correct idealized world which Disney wishes to portray. This not only ignored long-standing and tangible problems but also recreated them as positive. Another dangerous aspect of these animated films is that they superficially make us believe that they have no impact on the construction of stereotypes, racial prejudices, or other types of bias. But it is quite the opposite. From my experience, this type of film contributes to the discourse of hiding and covering up the existence of racism and racial discrimination, which leads to null or ineffective measures against this structural problem.

Photo by Zan on Unsplash
Continue reading Depicting Race Without Racism: The Disconnect Between My Home Country and Disney’s “Encanto”

Close Out 2021 With a Good Movie

By Nikhita Datar

Edited by Natalie Grace Sipula

[3 minute read]

It’s weird to think that very shortly, 2021 will be coming to a close. With that being said, Hollywood is releasing what seem to be a couple of hopeful major award-grabbing movies. Here’s what films to look forward to for the rest of the year, which you can watch over winter break in preparation for awards season:

  1. Dune 
Photo by Wolfgang Hasselmann on Unsplash

Based off of a novel written in 1965 by Frank Herbert, this narrative brings together all of the elements of film that we love to see on the big screen: a star-studded ensemble cast (Timothee Chalamet, Zendaya, Rebecca Ferguson, Jason Momoa, and Oscar Isaac), innovative costume design, a hard-hitting soundtrack (composed by Hans Zimmer), and intricate visual design that is attributed to director Denis Villeneuve. I would recommend this movie with a warning: it’s definitely not for everyone. Not much background is explained in the film, so if you haven’t previously watched David Lynch’s adaptation of the book or read the novel itself, you may have a more difficult time understanding the plot. With minimal dialogue and more focus on the sound/visual elements, it might feel slow to some. 

  1. Eternals

The movie industry’s biggest franchise is finally gracing us with another highly-anticipated film with Marvel movie Eternals. Similar to Dune, the ensemble cast is filled with some of the biggest names in Hollywood. Including Angelina Jolie, Richard Madden, Salma Hayek, Kit Harington, and Gemma Chan, and directed by recent Academy Award winner Chloe Zhao, this film is said to be different from anything that Marvel has ever released before. If you like larger-than-life stories, then this is the perfect fit for you. 

  1. Spencer
Photo by Tim Alex on Unsplash

If you’re a fan of Netflix’s The Crown, then this movie is the perfect match for you. With Kristen Stewart in the titular role, this story named after Princess Diana’s maiden name unpacks the Christmas festivities at Queen Elizabeth II’s Sandringham Estate leading up to the divorce between Diana and Prince Charles. Directed by Pablo Larraín, who also made Jackie, this film is predicted to make Stewart a potential Oscar candidate from the looks of the trailer itself.  If you’re a history buff or simply want to know more about the beloved Princess Di, then Spencer is the movie to watch. 

Continue reading Close Out 2021 With a Good Movie